#Postmobility: A multimodal poem in 8 #AnimatedGIFs

I remember once hearing an interview with Fiona Apple in which she claimed that as a child she wanted to be a philosopher because as far as she knew all philosophers did was come up with clever slogans and truisms like “I think therefore I am” and “God is dead”. At some point she realized that these bumper sticker quotes were only the tip of the iceberg and entire bodies of frozen thought floated beneath the surface, sustaining the claims and extrapolating entire systems of understanding from them.

#Postmobility is a tip of ice floating along the ocean, hoping to find a mountain of frozen water to call its own. Alas, the lifespan of ice in a world of posts is nothing much to write home about; maybe just a quick post and a short animated loop, but surely not much more than that. Quickly there after, #Postmobility melts away.

A través de #Postmobility intento darle sentido a un puñado de imagenes generadas durante los últimos dos años en los que me he convertido en un individuo transplantado (aún no puedo identificarme como migrante) de la supuesta ciudad mas peligrosa del mundo al supuesto estado mas racista del supuesto país mas poderoso del mundo. El material visual responde a situaciones tan variadas como una tele-conferencia entre Tucson, AZ y Monterrey N.L.; el acto de tatuar las luces de Cd. Juárez y El Paso vistas desde el espacio y abstraidas beyond recognition; two billboards that stand back to back one selling the promise of everlasting life, the other selling the promise of protecting esta vida a mano armada; a virtual hike along la frontera virtual y hasta donde entiendo arbitraria entre Tucson y la ciudad de Tucson del Sur.

En #Postmobility hay intenciones but very little in the form of realizations. There is a sense of a new way of engaging the reality que conlleva una vida como transplantado temporal with both feet firmly planted en dos ciudades diferentes con 350 millas y una frontera internacional de por medio. But truly, #Postmobility is just an excuse and an instrument to remain nowhere and still claim que formo parte de una comunidad antinacional made up entirely of declarative statements and  meaningless actions that repeat themselves sin cansancio aún y cuando nadie este viendo. En #Postmobility hay la promesa de lo que viene después de la movilidad; maybe stagnation o tal vez una estrategia para trascender necesidades como la necesidad de abandonar espacios propios y favorecer búsquedas que inevitablemente culminan en la ocupación de un nuevo espacio previamente ocupado por algún otro.

Sin embargo, al final de cuentas #Postmobility is but a series of eightmated GIFs.

All images are real in the sense that they all exist as a collection of documented moments in time–even if only digital in nature.

All statements are true in the sense that they all exist as a collection of words that designate very specific thought proceses and notions of reality.

Todo el material es ficción en el sentido de que #Postmobility existe solamente como un conjunto de elementos que han sido mediados.

I speak choice. I speak privilege. I speak macho. I speak gringo. I speak conquistador. I speak #PostMobility.

I speak choice. I speak privilege. I speak macho. I speak gringo. I speak conquistador. I speak #PostMobility.

Otra puerta se rinde cinica ante oceanos of competing birthrights. #PostMobility is a fee for life.

Otra puerta se rinde cinica ante oceanos of competing birthrights. #PostMobility is a fee for life.

#Postmobility es reflejo.It is a lack and a promise que acechan constante un desierto cielo singular.

#Postmobility es reflejo.It is a lack and a promise que acechan constante un desierto cielo singular.

Entre mundos and breath, ejes y surgery fronteras #PostMobility ebbs in on the very coastlines it faults.

Entre mundos and breath, ejes y surgery fronteras #PostMobility ebbs in on the very coastlines it faults.

 #PostMobilty begs the question, traces circulos perfectos, it is immigrant chic; vacaciones solubles en tragedia.

#PostMobilty begs the question, traces circulos perfectos, it is immigrant chic; vacaciones solubles en tragedia.

Con escombro entre uñas nostalgia travels light. #PostMobility irrumpe sobre human flesh. Slices time and space.

Con escombro entre uñas nostalgia travels light. #PostMobility irrumpe sobre human flesh. Slices time and space.

A suspended sentence, una oración mouthing strangers' lips, #PostMobility reduce ausencias, back alleys and streets.

A suspended sentence, una oración mouthing strangers’ lips, #PostMobility reduce ausencias, back alleys and streets.

EntreTUSyCJS

#PostMobility remains. Ever in transit sin mover even skin. Prédica and becomes. Jengibre, raiz and repeat. Still.

#PostMobility also resides in Google+

Posted in Uncategorized | Tagged , , , , , , , | Leave a comment

Arts Based Research (Bonus)

Posted in Uncategorized | Tagged , | Leave a comment

Arts Based Research (#13)

Final reflection

  • Literacy of the glitch is up, live and running.
  • Recurrent questions about form have been adressed:
    • How should ABR and ABER be reported?
    • What does visuality bring to ABER?
    • How  can the potential for interaction and exploration by visitors be enticed?
  • Still lingering:
    • How can trafic/eyes/minds be driven to the site/project?
    • Is posting it and twitting it continually enough?
    • Not enough feedback to regard it as successful or failed…

Throughout the semester I kept harping on form and the whole aesthetic experience. but now that it has been set up to respond to those very concerns (literacy of the glitch, I mean) how can I ensure and entice exploration? can I? tweets about it keep getting favorited and re-tweeted by tweet followers, G+ postings get some (very few, very general) responses but nothing strong enough to provide grounds for any conclussions… there is frustration in not knowing if what has been created is good enough to create/disseminate knowledge/information/explorations… maybe the lack of knowledge points to knowledge in its own right. Still very soon to know for sure.

The possibility to conduct ABR may not be enough, avenues/channels must be present for it to reach audiences… they exist,

  • how to get to them?
  • do we need more of them?
  • more open?
  • more institutions invested in them?
  • less institutional?

Nothing conclusive, only suggestions through questions. Doesn’t that characterize ABR in many ways?

Posted in Uncategorized | Tagged , | Leave a comment

Understanding Media for Fifty Years

Reblogged from McLuhan Galaxy:

Click to visit the original post
  • Click to visit the original post
  • Click to visit the original post
  • Click to visit the original post
  • Click to visit the original post
  • Click to visit the original post

2014 will be the 50th anniversary of the publication of Marshall McLuhan's most important book: Understanding Media: The Extensions of Man (1964).

 MIT Press 1994

Posted by Marko Lindgren on November 6, 2012

Actually it is quite surprising how little Marshall McLuhan’s book Understanding Media: The Extensions of Man[1] has aged. Most of it is still very difficult to read and understand simultaneously.

Read more… 912 more words

Add your thoughts here... (optional)
Posted in Uncategorized | Leave a comment

Juarez Artists in San Antonio

Reblogged from BORDER ART DIALOGUE:

If you happen to be in San Antonio tonight (Nov 15) you should go over to the University of Texas at San Antonio's Institute of Texan Cultures (801 E. Cesar Chavez Blvd) where they are having an opening for their show Arte Chihuahua, featuring, logically enough, a host of artists from Juarez and Chihuahua. The show officially opened on Nov 5th and is going on until May 5 so there's plenty of time to see it, but the opening reception is tonight.

Read more… 104 more words

Juarez in San Antonio. #FTW
Posted in Uncategorized | Leave a comment

Arts Based Research (#12)

Final project (final thoughts)

  • the blog component can also suggest some questions to suggest reflections after each exploration.
  • these questions must not require answers (although they would be nice) but really just a suggestion of where to go
  • it needs to be housed within its own domain (literacyoftheglitch.org) the temporary adress should be that, only temporary.
  • a bibliography section- readings that shaped many of my own explorations…. suggested readings for visitors.
  • a section on new literacies that may serve as context within which I wish (I love alliteration) literacy of the glitch to be understood.
Posted in Uncategorized | Tagged , | Leave a comment

Arts Based Research (#11)

Idea for final project (slightly more developed)

  • the creation of a website that allows visitors to explore the glitch as a vehicle to understand new media in meaningful way.
  • it will center around the question of what are the underlying structures of digital media that can be revealed through the practice of glitch art.
  • it will reference seven different notions of the potential of the glitch as tension, failure, design, destination, journey, poetry and deceit. (seven interconnected pages)
  • not explicative but evocative… ambiguos experience open to what the visitor brings.
  • a blogging component that will de-construct each section so visitors can explore the sites own underlying structure.
  • literacy of the glitch=the ability to use glitches not only as vehicles of exploration but also as modes of expression.
Posted in Uncategorized | Tagged , | Leave a comment

Arts Based Research (#10)

Idea for final project.

Some months ago I was part of a conference that celebrated the first 10 years of the Visual Arts program at Universidad Autónoma de Ciudad Juárez. My intervention was meant to be collective in nature where I invited peers and colleagues to create their own manifestos on new media art pedagogy and then present and discuss them with me and the rest of the attendees. Since the majority of us were not in Ciudad Juárez at the time of the conference we decided to present and discuss it as a Google+ hangout:

My own intervention was conceptualized around the idea of exploring new media through the glitch: the unforeseen potential hiding within new media by wielding them in ways they weren’t meant to:

Manifesto presented as part of the 10-year celebration of Visual Arts in UACJ

This seems to be the perfect jumping off point to dive into an ABER project that expands upon these very ideas.

Posted in Uncategorized | Tagged , , , | Leave a comment

Arts-Based Research (#9)

Three notions come to mind when discussing the value of visual images in research:

a neurotic monologuist discusses the possibility of losing sight in one of his eyes. a talker requires visuality as much as a painters, sculptors. research has long been considered the realm of language and semantics; the same might be said for monologues.

when I frist heard about this, I had no clue what 24 miles up meant. when I saw it, I knew exactly what 24 miles up meant.

Can I explain the experience of seeing Girl Talk live? Can I explain his practice as a mash-up artist? An infographic sure can.

Posted in Uncategorized | Tagged , | 2 Comments

Arts-Based Research (Mid-semester Reflection)

All semester long I have been thinking about the medium of choice to report the results of an arts-based research project. On the one hand I feel like the traditional academic journal offers a structure that may prove to be too rigid and too focused on definitive conclussions to serve as an adequate alternative for much of the research that results out of art practices. Instead of displaying its possibilities and strengths, in many cases this format ends up showcasing the many ways in which arts-based research does not fulfill the requirements traditionally associated with research stemming largely from expectations created by time-honored  scientific principles. In this respect, a process that by very definition favors ambiguity and subjectivity, as arts-based research is purported to do, might be better served to search for different formats and media that will showcase its strengths and uniqueness. I feel like Andrea Fraser’s Museum Highlights: A Gallery Talk might be a good example of how to take advantage of a specific art practice through the written word: the perfomative aspect of the project is echoed in the active engagement that readers must display in order to switch back and forth between the actual text and the footnotes that at times prove to be more important and of more substance. Of course this is only one case of what it seems to be a case-by-case proposition, a proposition that by its very nature might not permit a general consensus be formed as to what exactly constitutes arts-based research, much less what constitutes innovative arts-based research of relevance; a general consensus that has already been formed and been in place for scientific research… in the form of academic journal articles. The road is an uphill one.

Posted in Uncategorized | Tagged , | Leave a comment